When a country football team loses its sponsor, the homophobic team captain enters a drag pageant to raise the money.

WRITER/DIRECTOR: Mick Lowenstein
PRODUCER: Mick Lowenstein & Tracey Cosgrove
DURATION: 8mins 17secs
YEAR: 2018

After winning the country football grand final, Jade the team captain, finds out that the club’s major sponsor has pulled out. The team manager, Russell, tries to convince Jade to enter the “You Little Beauty” Pageant to help raise funds. In an op shop, Jade and his mates run into Matthew, a young gay man and tease him. Matthew stands up for himself, inflaming Jade’s aggression. Matthew compares Jade’s violence to his father, which forces Jade to reflect on his actions. Jade reluctantly takes part in the pageant but the event is upstaged by Matthew appearing in stunning drag. The player’s taunting becomes violent. Jade finds the courage to stand up for the person he’d previously abused and points out Matthew’s courage to the rest of the town.

Screenings

Nerve 2018 Industry screening - Hobart, January 2019

KEY CAST:
Jade - Connor Carthy
Matthew - Joshua Scott
Russell - Matthew Stolp
Bender - Jared Goldsmith

KEY CREW

WRITER/DIRECTOR: Mick Lowenstein
PRODUCER: Mick Lowenstein & Tracey Cosgrove 
EXECUTIVE PRODUCER: Abi Binning
MENTOR PRODUCER: Dick Marks
Script Editor - Ranald Allen
Director of Photography - Aaron Luke Wilson
Production Manager - Cathy Allen
Assistant Director - Cathy Allen
Sound Recordist - Frederic Moll
Boom Operator - Tom Roberts
Continuity - Victoria Woodfall
Camera Assistant/B camera operator - Atak Ngor
Gaffer - Richard Williams
Gaffer - Ralph Williams
Best Boy - Brad Harris
Production Designer - Nicole Winspear
Art Assistant - Eleanor Stancombe
Costume Designer - Nicole Winspear
Make-up Artist -Matthew Stolp
Make-up Artist - Jane Howard
Specialised make-up - Andrew Michael
Stills Photographers - Ken McColl and Brad Harris
Unit Manager - Ruby Grant
Unit Assistant - Tom Roberts
Catering - Tracey Cosgrove and Ruby Grant
Production Assistants - Oliver Potter and Felicity Wilkinson
Casting Director - Cathy Allen
Graphic Design and VFX - Aaron Luke Wilson
Editor - Justin “Pyrate” Smith
Sound Editor and Colour grade– Mike Gissing, Digital City Studios

Two young adults, Andrea and Caleb, come face to face with the complexities of sexual consent and realise technology won’t provide the answers.

WRITER: Adam Ransley
DIRECTOR/PRODUCER: George Underwood
DURATION: 9mins 43secs
YEAR: 2018

In the not too distant future sexual consent is still presenting problems for humans. Andrea and Caleb use an app that records each others consent, but there’s something not quite right about Karen, Caleb’s AI home computer. Andrea asks for her to be put into sleep mode before they get intermit, but when things are well under way Andrea notices Karen still standing in the corner of the bedroom, filming them. Movie-staring her. Caleb’s making secrete pornos. Andrea storms out, but not before enlisting Karen’s help to turn the tables on Caleb.

Screenings

Nerve 2018 Industry screening - Hobart, January 2019

KEY CAST:
Samantha James-Radford - Andrea
Felix Jarvis - Caleb 
Sara Cooper - Karen 
Emalisa White - Chloe 

KEY CREW
Director/Producer - George Underwood 
Writer - Adam Ransley 
Executive Producer - Abi Binning
Script Mentor - Claire d'Este
Mentor Producer - Di Drew 
Director Of Photography - Aaron Luke Wilson 
Production Manager - Emma Wilson
Ellie Smith - Assistant Director
Rose Schramm - Sound Recordist
Ville Karvonen - Boom Operator
Rachael Cleary - Continuity
Mathew Farrell - Gaffer
Caleb Schenk - Best Boys
Lauren Watson - 1st Assistant Camera
Fiona Lloyd - Production Designer
Fiona Lloyd - Props
Oliver Potter - Set Dresser
Emily Roberts - Standby Props
Joanne Collins - Costume Designer
Kaja Piatek - Make-Up Artist
Brad Harris - Stills Photographer
Lauren Wilson - Stills Photography
Emma Wilson - Unit Manager
Cathy Allen - Casting Assistant
Brad Harris - Drone Pilot
Adam Ransley - Drone Pilot
Oliver Potter - Stunt Driver
Jeff Kirkland - Green Screen
Driftwood Restaurant – Catering
Tim Berry - Runner
Holly Bearman - Production Assistant 
Nick Storr - Composer
Saxon Hornett - Composer
Mike Sampey - Visual Effects
Benjamin Nelan - Visual Effects
Mike Sampey - Editor
Mike Gissing (Digital City Studios) - Sound Editor
Mike Gissing (Digital City Studios) - Colour Grade 

Thanks for booking equipment, tickets or registering for a course with Wide Angle Tasmania.  If you'd like to pay online, you can do that here!

Please click the 'other' amount and enter the amount on the invoice.  You will be redirected to paypal where you can pay using your credit card or paypal account.

If you already have an invoice number already, please reference that so that we can track your payment.

You will receive a receipt from paypal that the payment has been made.  WAT will email you an invoice once we have received confirmation that the funds have been received.

Cheers!  Any problems, please contact us on 6223 8344 or email info@wideangle.org.au

WAT provides quality film production equipment in Tasmania and offer a 30% discount on gear hire to all current financial members.  All prices include GST and insurance.  

To book, please call 0362 238 344, email info@wideangle.org.au or make a request through our website here.

Download a printable RATE CARD here.

Click through for tech specs and tutorials for each piece of equipment. 

Collecting the equipment: If you are in Hobart, collect from our office. Otherwise, we can courier to most locations within Tasmania; for WAT members, this service is free for 1 parcel for each $75 value of hire).

Allow 20 mins to collect & return gear.

All gear must be paid for before being hired.

Length of Hire:

24 Hour: Pick up between 10am and 4:00pm, return at the same time the following day (only available Mon - Thurs)

Weekend: Pick up between 10am and 4:00pm Friday, return at 10am Monday morning.

Week: Pick up between 10am and 4:00pm Mon - Fri, return at 10am one week later.

Longer hires (eg. Monthly) can be easily negotiated

Washington Residency... the keys to Washington Street for up to three months to work on your screen venture.

The Washington Residency provides Tasmanian screen practitioners with the opportunity to concentrate on their screen project or screen business for a period of between one and three months. This “gift of time” allows filmmakers to work without distraction to break new ground and progress their screen venture.  The Washington Residency provides a home base, resources and facilities for individuals or teams of screen practitioners.  

What’s on offer:

• Free office space at 6 Washington Street (includes electricity, water and wifi).
• Free access to the studio/cinema, meeting room, common areas and WAT Film Kit (negotiated at application)

The inaugural recipients of the Washington Residency were Lisa Gormley and Aeshlie Wheeler.  After a successful three months establishing their business, TAS CASTING have now taken on a permanent office at Wide Angle.

TAS CASTING are so incredibly thankful for the support of Wide Angle Tasmania and the Washington Residency for giving us a productive and positive office space to establish our business. As part of the Washington Residency we received invaluable guidance in regard to our industry and direct contact with film makers and industry professionals. The space was positive, quiet and productive with all the resources we needed to get our business functioning professionally. We were also lucky enough to be enrolled in the End Game initiative which greatly supported us in achieving our goals over the 3 months.
Lisa and Aeshlie, TAS CASTING

Congratulations to Mark Thomson who was awarded the Washington Residency from October - December 2018 to progress his project that involved creating a studio-based discussion forum that was livecast through YouTube and involved participation from online viewers in the discussion and Q+A.

My residency took place in the three months of October, November and December of 2018.  My goal was to test and develop an idea I had for a live discussion show about renewable energy to be live streamed on the internet.  I had access to an office, some equipment and was able to use the hall and mini cinema for the events I had planned. It was a very ambitious project, which needed a lot of things to go right and ultimately things did not go as planned. That being said, the first month was quite productive with the office proving a useful space to act as a mini studio for filming short videos.  I managed to get several short videos out which got some attention and engagement. The first event was beset by technical problems. The second event, though for practical reasons simpler without live streaming, proved more encouraging, with good feedback from participants and new connections made. The final event discussion and panellists were excellent. A benefit of this residency was that it allowed me the luxury of failure and to make mistakes. This in turn has led to reflection on how to modify the idea do it in a better and more practical way.  In the meantime, by doing something rather than talking about it, I’ve engaged a number of key stakeholders (who provided good feedback on content and want to support the concept) and also met some great collaborators who have experience in streaming and have provided some valuable advice on how to do it differently going forward.  This has made me more confident that I can still achieve my broader goals in the future.

We are excited to be sharing the space with our next residents who will be with us for the month of February 2019, and are looking forward to see the shining faces of Ninna Millikan, Rose Schramm and Takani Clark, representing the Women of the Island team! Welcome to the Widey family ladies!

Applications for the next round of Washington Residency running from April to June are open now. Each round is available for up to three months. 

Washington Residency Guidelines 2019
Washington Residency application 2019 (doc)
Washington Residency application 2019 (pdf)

Wide Angle provides Tasmanian screen practitioners with their first shot at production through our annual initiative NERVE.  Teams receive a cash budget and Wide Angle support to go through the full process of making a short screen project. Previously called Raw Nerve, this model of mentoring, training and support aims to provide screen practitioners with their first experience of an industry standard production that will progress their career, educational and/or creative aspirations.

Three first-time film directors were selected for support through the Wide Angle Tasmania’s short film initiative NERVE 2018. The aim of NERVE is to produce high quality films on a small budget to showcase emerging talent and provide a pathway to industry.  This year three filmmakers have been selected, all directing their first funded film.  Click through for more information:  
Mick Lowenstein – Little Beauty
Victoria Bremner – Printed in Ink and
George Underwood - Karen

Since 2008, Wide Angle Tasmania has helped dozens of Tasmanian screen practitioners to create their first funded short film through this highly successful model of mentoring, training and support. Opportunities to learn through doing are vital for directors, contributing to strong career outcomes.  Shaun Wilson (currently directing Rosehaven series 3) directed his first funded short film Henry Finn through this initiative in 2008.  Other alumni include Vivien Mason (now studying an MA in ‘Digital Storytelling’ at the prestigious Royal College of Art in London) and Rebecca Thomson (award winning director of the webseries Women of the Island).

The three films produced in 2018 are between 5 and 10 minutes in length. Wide Angle Tasmania helps filmmakers take their idea from script, through each stage of production, to a finished film ready for national and international festival release by December 2018.

Each filmmaker will receive a package valued at over $30 000 that includes;
• mentoring from an experienced screen industry practitioner (Dick Marks, Di Drew, Graham Gates)
• advice through the script editing process (Karel Segers, Claire d'Este)
• $3 000 cash budget
• free enrolment in relevant WAT training
• $7 500 value of production and post production equipment hire from WAT
• insurances for the film and volunteer cast and crew
• a colour grade and sound mix provided by a post-production studio (Mike Gissing)
• a gala launch of the films

Bremner and Foster are participating as part of a Youth Arts Project, assisted through Arts Tasmania and Screen Tasmania by the Minister for the Arts.  State Growth have also supported NERVE by contributing funds to employ nationally recognized script editors and mentor producers for Little Beauty and Karen.

Wide Angle Tasmania provides quality film production equipment in Tasmania and offers a 30% discount on gear hire to all current financial members.  Check out the available gear and hire info here.

Our office at Washington Street, South Hobart has some excellent spaces available for short and longer term hire.  These include:

Meeting Room (for 10 people)
Screening hall (for 70 people)

Check out the information about our spaces here.

A great turn-out to the info webinar last night - thanks for the questions and enthusiasm! If you missed it - you can check it out here (skip ahead to where we start at 3mins 32).

Next step? To participate in the 3 pre-registration webinars you'll need to complete an EOI this week (it's quick and relatively painless I promise!) http://www.wideangle.org.au/eoi_step-out

Step-Out Web17 was a partnership between Wide Angle Tasmania (WAT) and Australian Film, Television and Radio School (AFTRS) for Tasmanian filmmakers.  It was a knock-out competition where the crowd decided which web-series were in the running for production investment including up to $20,000 cash (download the guidelines here).  16 teams completed the first 3 challenges, 12 teams completed the next 3 challenges.  The Final 3 teams (plus the wildcard) pitched for production investment on December 17, 2017.  The project selected for support was Women of the Island (Rebecca Thomson, Ninna Milliken & Lara Van Raay), an online series of short documentaries telling the diverse stories of the women who inhabit the island of Tasmania.

Launched on August 2 to 250 people including Pozible supporters, industry and politicians from all tiers of government, the three films are now available online to view.

Click through to watch and read about the three films produced.

A Farmer's Daughter

Jenine is a Cygnet local who has spent the last 30 years farming cattle, but when the dirty work is done, the overalls come off and she gets to work on her home which she has meticulously turned into a living museum full to overflowing of collectables.

Wide Angle Tasmania (WAT) and AFTRS have announced they will collaborate on a new web series training initiative, Step-Out Web 17.

The new program is designed to provide structured development for Tasmanian screen practitioners to acquire audience engagement skills and develop pitch assets for web series projects.  

After the development cycle, one team will be selected to produce their web series.

WAT membership connects you with the Tasmanian screen sector and allows you to access a range of benefits:

• receive a 30% discount when you hire production equipment or venue space with WAT
• be part of the WAT crew and/or production company database - a great way to profile your skills, connect with others and gain referrals for work opportunities
• access initiatives and professional development opportunities including workshops and events
• apply for equipment subsidy and sponsorship
• low cost production insurance for eligible projects
• receive an hour-long consultation with the WAT production team
• apply to advertise your project or event through the WAT newsletter
• access WAT Shares, a time bank resource for practitioners to exchange skills

Membership is for 12 months and is available to individuals and companies:

Concession membership $44 (if you have a healthcare, student, or seniors card)

Annual membership $66

Company membership $132 includes 2 individual memberships and is available to production companies, schools and colleges, not-for-profit organisations and private businesses.

Become a member online by clicking on your membership type - or give us a call at the office.

GoPro’s HD Helmet HERO kit includes HD camera, waterproof housing, helmet strap, 16GB SD card and cables. Record up to 2.5 hours on a single charge and up to 4.5 hours total on the 16GB SD card.  In addition to HD video, this digital action sports helmet cam also shoots 5MP still photographs at 2/5/10/30 or 60 second intervals. Suction cup mount available on request. Self-adhesive mounts for mounting the camera to helmets (or other flat/curved surfaces) can be purchased at WAT for $10 per mount.  Check out the specs here.