step-out web 17

Step-Out Web17 is a partnership between Wide Angle Tasmania (WAT) and Australian Film, Television and Radio School (AFTRS) for Tasmanian filmmakers.  It's a knock-out competition where the crowd decides which web-series are in the running for production investment including up to $20,000 cash (download the guidelines here).  16 teams completed the first 3 challenges, 12 teams completed the next 3 challenges.  The Final 3 teams (plus the wildcard) will pitch for production on December 17.  Challenge #9 is for the teams to complete a crowdfunding campaign - Wide Angle Tasmania will match dollar-for-dollar the target amount raised by the winning team. 

Crowdfunding Campaigns
The pozible campaigns for the Final 3 teams plus the wildcard are on our collections page here - or click through to the individual campaigns below. 


Thylacine_Road_Trip_(Chris_Coupland__Bill_Flowers___Warren_Darragh).jpg
Thylacine Road Trip…..
(Chris Coupland, Bill Flowers & Warren Darragh)

A motley crew of three experts combine humour and science as they travel the highways, roads, and tracks of Tasmania in the search for the believed to be extinct Tasmanian Tiger.

Follow them on facebook, twitter & youtube

Donate to their crowdfunding campaign here.

 

To_Cambodia.jpgTo Cambodia and Back: A Tasmanian Film Students Journey (Natulka Sophia Wade)

In a new chapter of her life, a lone film student travels to Cambodia to document an Arts Festival, only the future knows what challenges await.

Follow them on facebook, twitter & instagram

 Donate to their crowdfunding campaign here.

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Women of the Island
(Rebecca Thomson, Ninna Milliken & Lara Van Raay)

An online series of short documentaries telling the diverse stories of the women who inhabit the island of Tasmania.

Follow them on facebook & twitter

Donate to their crowdfunding campaign here.

 

 

WILDCARD

Breaking the Money Monopoly (Katara Jade, Angeline Drury & Catherine Smith)  Follow them on facebook, twitter & instagram

Donate to their crowdfunding campaign here.

 

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